
plate no. 6927
Lucas Cranach the Elder, 1530
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering details in clothing and jewelry. It also provides practice in creating smooth skin tones and working with a limited color palette.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, paying attention to the pose and composition.
Establish the background with a dark, even tone.
Block in the main areas of color for the skin, clothing, and headdress.
Begin to refine the skin tones, using subtle variations in color and value to create form.
Add details to the clothing and jewelry, paying attention to the patterns and textures.
Work on the headdress, carefully rendering the delicate details of the feathers or fur.
Refine the overall composition, adjusting values and colors as needed.
Add final details and highlights to complete the painting.
color palette
primary · ivory black · burnt umber · cadmium red light · titanium white
secondary · yellow ochre · raw sienna
Mix skin tones using white, red, yellow ochre, and a touch of burnt umber. Achieve the dark background by mixing ivory black and burnt umber. Use white to create highlights in the jewelry and clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface will help with blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley