apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Woman
Portrait of a Young Woman by Louise Elisabeth Vigee Le Brun

plate no. 8153

Portrait of a Young Woman

Louise Elisabeth Vigee Le Brun, 1797

oil, canvasRococoportraitportraitwomanhatshawldressrococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in subtle color mixing and blending to create soft transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and shawl.

  2. step 02

    Establish the background with a thin wash of muted grays and browns.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and hat.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the hat, including the straw texture, ribbons, and feathers.

  6. step 06

    Work on the drapery of the shawl, creating soft folds and highlights.

  7. step 07

    Add details to the dress, such as the stripes and folds.

  8. step 08

    Refine the overall composition and add final highlights and shadows.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ivory black · viridian green · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use umber and black to create shadows. Mix greens and browns for the dress.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·fabric rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early.
  • →Using colors that are too saturated.
  • →Failing to create soft transitions between values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West