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home·artworks·Portrait of a Young Man before a Landscape
Portrait of a Young Man before a Landscape by Hans Memling

plate no. 1042

Portrait of a Young Man before a Landscape

Hans Memling, 1480

oil, oakNorthern Renaissanceportraitportraitfigurelandscapetreesskyclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as understanding atmospheric perspective in landscape painting.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: head, shoulders, hat, and background elements.

  2. step 02

    Establish the background by blocking in the sky with light blue and the field with varying shades of green.

  3. step 03

    Begin layering the skin tones, starting with a base of warm, light colors and gradually adding shadows and highlights.

  4. step 04

    Paint the hair, paying attention to the direction of the strands and the subtle variations in color.

  5. step 05

    Block in the dark clothing and hat, using a mix of black and dark brown.

  6. step 06

    Refine the facial features, focusing on the eyes, nose, and mouth, and adding subtle details.

  7. step 07

    Add details to the background, such as the trees and distant landscape elements.

  8. step 08

    Apply final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · ultramarine blue · cadmium red · sap green

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber; create a range of greens by mixing blue, yellow, and a touch of brown.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or muddy skin tones.
  • →Lack of subtle variations in color and value.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to judge values.

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