apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Girl (Antoinette Kraushaar)
Portrait of a Young Girl (Antoinette Kraushaar) by George Luks

plate no. 5271

Portrait of a Young Girl (Antoinette Kraushaar)

George Luks, 1917

oil, canvasNew Realismportraitportraitfiguredressdraperygirlseated
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric folds and drapery.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with a dark, neutral tone.

  3. step 03

    Block in the main shapes of the dress and drapery with simplified color masses.

  4. step 04

    Begin refining the skin tones, paying attention to subtle shifts in value and hue.

  5. step 05

    Develop the folds and highlights in the dress and drapery, using thicker paint and visible brushstrokes.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness.

  7. step 07

    Refine the edges and contours of the figure, softening or sharpening them as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ultramarine blue · burnt umber · cadmium red

secondary · yellow ochre · ivory black

Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of umber. The blue drapery is a mix of ultramarine blue and white, with variations achieved by adding small amounts of umber or black.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·alla prima
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring the subtle shifts in value and hue in the drapery.
  • →Creating harsh or unnatural edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Delta Farms

Delta Farms

Wayne Thiebaud

House by the Railroad

House by the Railroad

Edward Hopper

The Mansard Roof

The Mansard Roof

Edward Hopper

Hannaford's Cove

Hannaford's Cove

George Luks

Spring Planting, Greenwich Village

Spring Planting, Greenwich Village

John French Sloan

Renganeschi's Saturday Night

Renganeschi's Saturday Night

John French Sloan

Fishing Port, Gloucester

Fishing Port, Gloucester

John French Sloan

House on the Point

House on the Point

George Luks