
plate no. 8302
Albrecht Altdorfer, 1530
Recreating this painting will allow students to practice portraiture, including capturing likeness and rendering realistic skin tones, as well as learning to depict fabric folds and textures.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.
Block in the main colors of the background, clothing, and skin tones with thin washes.
Develop the values and forms of the face, paying attention to the subtle shifts in light and shadow.
Refine the details of the clothing, including the folds, textures, and patterns.
Add the details of the hands and rings, paying attention to the anatomy and proportions.
Work on the background, adding depth and atmosphere with subtle color variations.
Glaze the painting to unify the colors and add depth.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · yellow ochre · cadmium red light · viridian
secondary · raw umber · titanium white · gold
Mix various shades of green by combining viridian with yellow ochre and ivory black. Create skin tones by mixing yellow ochre, cadmium red light, and titanium white, adjusting the proportions to achieve the desired hue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley