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home·artworks·Portrait of a Man with Carnation
Portrait of a Man with Carnation by Jan van Eyck

plate no. 4708

Portrait of a Man with Carnation

Jan van Eyck, 1435

oil, woodNorthern Renaissanceportraitportraitmanfurflowerjewelryhat
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering textures like fur and fabric. It also provides practice in depicting details like jewelry and flowers.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a neutral underpainting.

  2. step 02

    Sketch the basic shapes of the head, hat, and shoulders, paying attention to proportions.

  3. step 03

    Block in the main areas of color: skin tones, hat, clothing, and background.

  4. step 04

    Begin layering and blending the skin tones, focusing on subtle variations in light and shadow.

  5. step 05

    Develop the texture of the fur hat using small, controlled brushstrokes.

  6. step 06

    Paint the details of the clothing, jewelry, and flower, paying attention to their textures and colors.

  7. step 07

    Refine the overall composition and add final details, such as highlights and shadows.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · titanium white · ivory black · raw umber · yellow ochre

secondary · cadmium red · burnt sienna · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use black and umber for shadows, and add blue to cool the tones. Mix browns for the fur hat, using varying amounts of umber, sienna, and black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle variations in color and texture.
  • →Getting the likeness of the subject wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface is recommended for detailed work.

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