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home·artworks·Portrait of a Man with an Arrow
Portrait of a Man with an Arrow by Hans Memling

plate no. 7120

Portrait of a Man with an Arrow

Hans Memling, 1480

oil, oakNorthern Renaissanceportraitportraitmanarrowclothinghatface
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also provides practice in rendering realistic textures, such as skin and fabric.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the proportions of the head, shoulders, and arrow.

  2. step 02

    Block in the main areas of color: skin tones, clothing, hat, and background.

  3. step 03

    Begin refining the skin tones, paying close attention to the subtle shifts in value and color to create form.

  4. step 04

    Work on the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Add the details of the clothing, including the collar and the folds in the fabric.

  6. step 06

    Paint the arrow, paying attention to its shape and texture.

  7. step 07

    Refine the background, ensuring that it is dark and even.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Dark areas are created by adding raw umber and ivory black to the skin tone mix.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create a sense of depth and form.
  • →Ignoring the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·round brushes size 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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