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home·artworks·Portrait of a man with a cigarette
Portrait of a man with a cigarette by Diogène Maillart

plate no. 0546

Portrait of a man with a cigarette

Diogène Maillart

oil, canvasAcademicismportraitportraitmancigaretteclothingfigurebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering of light and shadow on the face, and capturing the likeness of a subject. It also offers practice in painting realistic textures of clothing and skin.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the figure and the main shapes of the clothing on the canvas.

  2. step 02

    Establish the background with broad strokes of muted browns and greens, creating a sense of depth.

  3. step 03

    Block in the main areas of the face, using a limited palette of flesh tones.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Paint the clothing, focusing on the folds and creases to convey the texture of the fabric.

  6. step 06

    Add details such as the cigarette, the hands, and the subtle patterns on the chair.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and realism.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the figure.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Darken colors with burnt umber or ivory black, and lighten with titanium white.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Ignoring the subtle variations in skin tone.
  • →Getting lost in details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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