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home·artworks·Portrait of a man (Self-portrait)
Portrait of a man (Self-portrait) by Léon Bazile Perrault

plate no. 7690

Portrait of a man (Self-portrait)

Léon Bazile Perrault, 1865

oilAcademicismself-portraitportraitmanself-portraitfigurehairclothing
some experience helpful

Recreating this portrait will help students develop skills in portrait proportions, skin tone mixing, and rendering soft light and shadow. It's a good exercise in capturing a likeness and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the head and shoulders.

  2. step 02

    Establish the main light and shadow areas with a thin wash of neutral color.

  3. step 03

    Begin building up the skin tones, mixing a range of values from light to dark.

  4. step 04

    Pay close attention to the subtle color variations in the face, especially around the cheeks, nose, and eyes.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Paint the hair, using a variety of brushstrokes to create texture and volume.

  7. step 07

    Add the clothing, using darker values to create contrast with the face.

  8. step 08

    Refine the details and adjust the values as needed to create a realistic and expressive portrait.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre

Skin tones are achieved by mixing white, umber, sienna, and small amounts of red and yellow. Use black sparingly to darken values. Mix a range of values for smooth transitions.

techniques

  • ·portrait proportions
  • ·skin tone mixing
  • ·blending
  • ·glazing
  • ·rendering form

common pitfalls

  • →Overmixing colors resulting in muddy tones
  • →Getting proportions wrong early on
  • →Using too much black to create shadows
  • →Ignoring subtle color variations in the skin

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending.

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oil painting for beginners →how to learn by studying the masters →
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