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home·artworks·Portrait of a Man of Prayer with St. John the Baptist
Portrait of a Man of Prayer with St. John the Baptist by Hugo van der Goes

plate no. 4849

Portrait of a Man of Prayer with St. John the Baptist

Hugo van der Goes, 1475

oil, panelNorthern Renaissancereligious paintingfiguresportraitreligiousmanhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create realistic skin tones. It also provides practice in rendering fabric and creating a sense of depth through layering and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the composition, paying attention to the proportions and placement of the figures.

  2. step 02

    Block in the main areas of color, starting with the background and then the larger shapes of the figures.

  3. step 03

    Begin to refine the skin tones, using thin layers of paint and subtle blending to create a smooth, realistic effect.

  4. step 04

    Add details to the faces, such as the eyes, nose, and mouth, using small brushes and careful observation.

  5. step 05

    Work on the clothing, paying attention to the folds and shadows.

  6. step 06

    Refine the hands, capturing their gesture and form.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Dark areas are created by adding black or umber to the base colors.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overblending the skin tones, resulting in a flat, lifeless effect.
  • →Ignoring the subtle variations in color and value.
  • →Failing to capture the likeness of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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related guides

oil painting for beginners →how to learn by studying the masters →
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