apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Man (Man in a Turban)
Portrait of a Man (Man in a Turban) by Jan van Eyck

plate no. 5415

Portrait of a Man (Man in a Turban)

Jan van Eyck, 1433

oil, woodNorthern Renaissanceportraitportraitmanturbanheadclothing
some experience helpful

Recreating this painting will develop skills in portraiture, particularly in rendering realistic skin tones and capturing the texture of fabric. Students will also learn about glazing techniques to achieve depth and luminosity.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark ground.

  2. step 02

    Create a light sketch of the portrait, focusing on proportions and placement.

  3. step 03

    Block in the main shapes and values of the face, turban, and background.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle variations in color.

  5. step 05

    Develop the folds and shadows of the turban, using a combination of blending and dry brushing.

  6. step 06

    Refine the details of the eyes, nose, and mouth.

  7. step 07

    Add highlights to the face and turban to create a sense of depth and dimension.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the luminosity.

color palette

primary · cadmium red · ivory black · titanium white · yellow ochre

secondary · burnt umber · raw sienna

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the deep reds of the turban by layering cadmium red with burnt umber and black for shadows.

techniques

  • ·glazing
  • ·blending
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Getting the proportions of the face wrong.
  • →Ignoring the importance of the dark background in creating contrast and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a canvas with a smooth surface to facilitate blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley