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home·artworks·Portrait of a man (Jacques Germain Soufflot?)
Portrait of a man (Jacques Germain Soufflot?) by Jean-Bernard Restout

plate no. 5554

Portrait of a man (Jacques Germain Soufflot?)

Jean-Bernard Restout, 1764

oilRococoportraitportraitfiguremanclothingdrawing toolsdesk
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as practice blending and layering techniques to create subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, face, and clothing.

  2. step 02

    Block in the main areas of color, focusing on the overall values and relationships between them.

  3. step 03

    Begin refining the skin tones, using subtle layers of color to build up depth and form.

  4. step 04

    Work on the details of the clothing, paying attention to the folds and shadows.

  5. step 05

    Add the details of the face, including the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  6. step 06

    Refine the background, ensuring it complements the figure without distracting from it.

  7. step 07

    Add final highlights and shadows to enhance the overall sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, and small amounts of red and brown. The dark jacket is a mix of black and blue, lightened with white for highlights. The background is a muted mix of browns and blacks.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle tonal variations in the clothing and background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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