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home·artworks·Portrait of a Man in a Landscape
Portrait of a Man in a Landscape by Hans Memling

plate no. 1685

Portrait of a Man in a Landscape

Hans Memling, 1480

oil, panelNorthern Renaissanceportraitportraitmanlandscapetreesfur collarsky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering realistic textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the background with thin layers of color, establishing the sky, trees, and landscape.

  3. step 03

    Establish the basic skin tones with a mid-tone base, gradually adding highlights and shadows.

  4. step 04

    Paint the dark clothing, paying attention to subtle folds and variations in tone.

  5. step 05

    Carefully render the fur collar, using small brushstrokes to create the texture of the fur.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, focusing on accurate shapes and values.

  7. step 07

    Refine the background details, adding highlights and shadows to the trees and landscape.

  8. step 08

    Add final details such as the rings and any subtle glazes to unify the painting.

color palette

primary · yellow ochre · ivory black · raw umber · titanium white

secondary · burnt sienna · cadmium red light · ultramarine blue

Mix skin tones by blending yellow ochre, white, and a touch of red. Use raw umber and black for dark areas, and ultramarine blue with white for the sky.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·layering
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle variations in tone and texture.
  • →Not paying enough attention to the background details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (small round, small flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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