
plate no. 1685
Hans Memling, 1480
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering realistic textures like fur and fabric.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Block in the background with thin layers of color, establishing the sky, trees, and landscape.
Establish the basic skin tones with a mid-tone base, gradually adding highlights and shadows.
Paint the dark clothing, paying attention to subtle folds and variations in tone.
Carefully render the fur collar, using small brushstrokes to create the texture of the fur.
Add details to the face, including the eyes, nose, and mouth, focusing on accurate shapes and values.
Refine the background details, adding highlights and shadows to the trees and landscape.
Add final details such as the rings and any subtle glazes to unify the painting.
color palette
primary · yellow ochre · ivory black · raw umber · titanium white
secondary · burnt sienna · cadmium red light · ultramarine blue
Mix skin tones by blending yellow ochre, white, and a touch of red. Use raw umber and black for dark areas, and ultramarine blue with white for the sky.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley