
plate no. 8891
Jacques Daret, 1440
Recreating this painting will help students develop skills in portraiture, including accurate proportion and subtle color mixing for skin tones and fabric folds. It also encourages careful observation of light and shadow to create form.
technical profile
approach — 8 steps
Create a light sketch of the portrait, focusing on accurate proportions and placement of features.
Block in the main areas of color: skin, hat, clothing, and background.
Start layering the skin tones, building up highlights and shadows gradually.
Work on the red hat, paying attention to the folds and how light interacts with the fabric.
Refine the details of the face, including the eyes, nose, and mouth.
Add details to the clothing, capturing the texture and patterns.
Adjust the background to create the desired contrast and depth.
Add final highlights and details to complete the painting.
color palette
primary · red ochre · ivory black · titanium white · yellow ochre
secondary · burnt umber · raw sienna · sap green
Skin tones are achieved by mixing white, yellow ochre, and red ochre, with small amounts of burnt umber for shadows. The red hat is a mix of red ochre and a touch of black for darker areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley