apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Leonia Blühdorn
Portrait of a Leonia Blühdorn by Henryk Rodakowski

plate no. 7319

Portrait of a Leonia Blühdorn

Henryk Rodakowski, 1871

oilRomanticismportraitportraitfigurewomanclothingjewelrydark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the main light and shadow areas using a thin wash of burnt umber.

  3. step 03

    Block in the background with a dark, neutral color, gradually adding subtle variations.

  4. step 04

    Begin layering the skin tones, starting with the mid-tones and gradually building up highlights and shadows.

  5. step 05

    Paint the clothing, paying attention to the folds and drapery.

  6. step 06

    Add details such as the jewelry and lace, using smaller brushes.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Use ivory black and burnt umber to create the dark background and shadows in the clothing.

techniques

  • ·portrait painting
  • ·value study
  • ·glazing
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or flat skin tones.
  • →Lack of depth in the background.
  • →Inaccurate rendering of the clothing folds.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke