apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Lady with Her Child
Portrait of a Lady with Her Child by John Russell

plate no. 6605

Portrait of a Lady with Her Child

John Russell, 1798

oilRococoportraitportraitfigurespianoclothingdraperymusic
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and drapery with subtle shading.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and piano.

  2. step 02

    Block in the main shapes and colors of the background, figures, and piano using thin washes.

  3. step 03

    Begin to build up the skin tones using layers of color, paying attention to highlights and shadows.

  4. step 04

    Refine the details of the clothing, including the folds and drapery, using subtle shading and highlights.

  5. step 05

    Paint the piano, focusing on the wood grain and reflective surfaces.

  6. step 06

    Add the details of the faces, including the eyes, nose, and mouth, to capture the likeness of the subjects.

  7. step 07

    Refine the details of the hair, adding highlights and shadows to create depth and texture.

  8. step 08

    Add final details and adjustments to the painting to create a cohesive and polished look.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium red light

secondary · ivory black · yellow ochre · alizarin crimson

Achieve skin tones by mixing titanium white, cadmium red light, yellow ochre, and a touch of raw umber. Use burnt sienna and raw umber for the piano, and ivory black to darken shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Ignoring subtle variations in skin tone.
  • →Overworking details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West