apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a lady traditionally identified as Elizabeth wife of Bishop Andrew Downe three-quarter-length seated in a blue dress
Portrait of a lady traditionally identified as Elizabeth wife of Bishop Andrew Downe three-quarter-length seated in a blue dress by Lemuel Francis Abbott

plate no. 6500

Portrait of a lady traditionally identified as Elizabeth wife of Bishop Andrew Downe three-quarter-length seated in a blue dress

Lemuel Francis Abbott

oilRococoportraitportraitfiguredresstablecurtaincolumn
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for creating smooth transitions in skin tones and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Block in the background with broad strokes, establishing the overall color and value.

  3. step 03

    Establish the main shapes and values of the figure, including the dress, shawl, and face.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the dress, including the folds and highlights, using a variety of brushstrokes.

  6. step 06

    Add details to the hair, using small, controlled strokes to create texture and volume.

  7. step 07

    Refine the background and add any remaining details, such as the table and curtain.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Cadmium red · Yellow ochre

Mix Prussian blue and Titanium white for the dress, adding small amounts of Burnt umber to darken the shadows. Use Cadmium red and Yellow ochre to create the warm tones in the background and skin.

techniques

  • ·Portraiture
  • ·Blending
  • ·Scumbling
  • ·Glazing
  • ·Chiaroscuro

common pitfalls

  • →Inaccurate proportions
  • →Overblending
  • →Ignoring the underlying structure of the face
  • →Getting the skin tones wrong

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·Prussian blue oil paint
  • ·Titanium white oil paint
  • ·Burnt umber oil paint
  • ·Palette knife
  • ·Odorless mineral spirits

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Palette

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West