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home·artworks·Portrait of a lady in profile
Portrait of a lady in profile by Charles Victor Thirion

plate no. 7230

Portrait of a lady in profile

Charles Victor Thirion

oil, canvasAcademicismportraitportraitwomanprofiledresshairfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle facial features and rendering light and shadow to create form. It also provides practice in blending and layering paint to achieve a soft, realistic effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the woman's profile and main features (head, neck, shoulders).

  2. step 02

    Establish the background with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using a limited palette.

  4. step 04

    Begin refining the facial features, paying close attention to the shapes and proportions.

  5. step 05

    Develop the highlights and shadows on the clothing, creating a sense of depth and volume.

  6. step 06

    Add the details of the hair, using small brushstrokes to suggest texture.

  7. step 07

    Paint the flower detail, focusing on its color and form.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix white with small amounts of umber and sienna for skin tones. Use alizarin crimson and ultramarine blue for the flower, adjusting with white for highlights.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values.
  • →Using too much paint and losing the subtle gradations.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, burnt umber, raw sienna, alizarin crimson, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a fine-weave canvas for smoother blending. Consider using a toned canvas to establish a base color.

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