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home·artworks·Portrait of a lady holding a book
Portrait of a lady holding a book by Jacques Aved

plate no. 6614

Portrait of a lady holding a book

Jacques Aved

oilRococoportraitportraitfigurebooklacecurtain
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering fabric textures and details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, book, and background.

  2. step 02

    Establish the background with thin washes of color, focusing on the overall tone and value.

  3. step 03

    Block in the main areas of the figure, including the skin tones, clothing, and head covering.

  4. step 04

    Begin refining the skin tones, paying close attention to the subtle variations in color and value.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Render the clothing, focusing on the folds and textures of the fabric.

  7. step 07

    Paint the book, paying attention to the light and shadow on its surface.

  8. step 08

    Add final details and highlights to the entire painting, ensuring that all elements are cohesive.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · alizarin crimson · yellow ochre

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the dark clothing with black and umber, and the curtain with crimson and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the clothing and accessories.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a medium like linseed oil to thin the paint and improve its flow.

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