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home·artworks·Portrait of a Lady
Portrait of a Lady by William Williams

plate no. 5169

Portrait of a Lady

William Williams, 1796

oilRococoportraitfiguredresslandscapeurnfoliageportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in creating atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the urn.

  2. step 02

    Establish the background landscape with thin washes of color, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the fall of light and shadow.

  4. step 04

    Refine the facial features, capturing the likeness of the subject.

  5. step 05

    Develop the details of the dress, rendering the folds and textures of the fabric.

  6. step 06

    Add the details of the urn and the surrounding foliage.

  7. step 07

    Introduce the blue sash and yellow shawl, adding pops of color.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ivory black · raw umber · yellow ochre

secondary · ultramarine blue · cadmium yellow light · alizarin crimson

Mix various shades of gray and brown by combining white, black, and umber. Create the skin tones by mixing white, yellow ochre, and a touch of crimson. Achieve the blue of the sash by mixing ultramarine with white.

techniques

  • ·portraiture
  • ·atmospheric perspective
  • ·fabric rendering
  • ·glazing
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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