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Portrait of a lady by Eugene de Blaas

plate no. 7141

Portrait of a lady

Eugene de Blaas, 1850

oil, canvasAcademicismportraitportraitwomanhairdressflowersjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering delicate fabrics and floral details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the face and body, paying attention to the angle of the head.

  2. step 02

    Block in the background with a thin layer of burnt umber and gradually build up the darker tones.

  3. step 03

    Establish the main skin tones using a limited palette of white, yellow ochre, and red, focusing on the light and shadow areas.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Paint the hair, using a combination of dark browns and lighter highlights to create volume and texture.

  6. step 06

    Render the dress with soft, blended strokes, capturing the subtle folds and highlights.

  7. step 07

    Add the floral details in the hair, using small brushes and a variety of colors.

  8. step 08

    Add final details like the earring and any stray hairs, then glaze to unify the colors.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · alizarin crimson · sap green

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue to cool down shadows. Mix alizarin crimson and burnt umber for deep browns.

techniques

  • ·portrait drawing
  • ·glazing
  • ·color mixing
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Using too much paint, which can make the painting look muddy.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.

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