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home·artworks·Portrait of a lady (Alzire Irma Maillart, née Demontreille?)
Portrait of a lady (Alzire Irma Maillart, née Demontreille?) by Diogène Maillart

plate no. 3147

Portrait of a lady (Alzire Irma Maillart, née Demontreille?)

Diogène Maillart

oil, canvasAcademicismportraitportraitfigurewomanhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle value shifts to model form. It also provides practice in mixing skin tones and rendering soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color: skin, hair, clothing, and background.

  4. step 04

    Begin refining the skin tones, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the features of the face, focusing on accurate proportions and details.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the hair, adding texture and individual strands.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · burnt umber · yellow ochre · ivory black

secondary · cadmium red light · ultramarine blue · raw sienna

Mix skin tones by combining white, yellow ochre, burnt umber, and a touch of red. Use blue and black to create cool shadows. Add raw sienna to warm up the skin tones.

techniques

  • ·portraiture
  • ·blending
  • ·value study
  • ·color mixing
  • ·soft edges

common pitfalls

  • →Incorrect proportions
  • →Overly harsh lines
  • →Muddy skin tones
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·raw sienna oil paint

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial value study.

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