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home·artworks·Portrait of a lady (Alice Dorchy?), seated, wearing a blue dress and blue head-band
Portrait of a lady (Alice Dorchy?), seated, wearing a blue dress and blue head-band by Diogène Maillart

plate no. 8427

Portrait of a lady (Alice Dorchy?), seated, wearing a blue dress and blue head-band

Diogène Maillart

oil, canvasAcademicismportraitportraitfigurechairdressheadbandseated
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle color variations and blending techniques for skin tones and fabrics.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair using light pencil lines.

  2. step 02

    Establish the overall composition and placement of the subject on the canvas.

  3. step 03

    Block in the main areas of color, focusing on the background, dress, and skin tones.

  4. step 04

    Begin to refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the dress, chair, and headband, adding highlights and shadows.

  6. step 06

    Blend and refine the transitions between colors, creating smooth gradations.

  7. step 07

    Add final details and highlights to the face and hands to bring the portrait to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · ivory black · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and ivory black for the dress, adding white for highlights. Mix raw umber and burnt sienna for the chair.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Inaccurate proportions of the face and body.
  • →Overly harsh or muddy color mixtures.
  • →Lack of attention to subtle value changes.
  • →Ignoring the importance of soft edges and blending.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·soft cloth

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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