apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Humanist
Portrait of a Humanist by Quentin Matsys

plate no. 6578

Portrait of a Humanist

Quentin Matsys

oilNorthern Renaissanceportraitportraitfiguremanclothinghatframe
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones. It also provides practice in rendering textures like fabric and fur.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval frame and the basic proportions of the head and shoulders.

  2. step 02

    Establish the main light source and map out the areas of light and shadow on the face.

  3. step 03

    Block in the background with a dark, muted color.

  4. step 04

    Begin layering skin tones, focusing on subtle value changes to create form.

  5. step 05

    Paint the clothing and hat, paying attention to the folds and textures.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the edges and blend the colors to create a smooth, realistic finish.

  8. step 08

    Paint the frame, using highlights and shadows to create a sense of depth.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones by blending white, raw umber, and burnt sienna; use small amounts of yellow ochre and cadmium red for warmth. Achieve darks by mixing ivory black and raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong light source.
  • →Getting the proportions of the face wrong.
  • →Oversimplifying the value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley