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home·artworks·Portrait of a girl with a pair of gloves
Portrait of a girl with a pair of gloves by Jean-François Portaels

plate no. 0007

Portrait of a girl with a pair of gloves

Jean-François Portaels

oil, canvasAcademicismportraitportraitfigureclothingfurchairjewelry
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, rendering of skin tones, and depicting fabric textures. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the overall value structure by blocking in the background and large areas of shadow and light.

  3. step 03

    Mix skin tones using a limited palette and apply them to the face and hands, paying attention to subtle value changes.

  4. step 04

    Render the clothing, focusing on the folds and textures of the fabric and fur.

  5. step 05

    Add details such as the jewelry, lace, and floral embellishments.

  6. step 06

    Refine the edges and details to create a sense of realism.

  7. step 07

    Glaze thin layers of color to adjust the overall tone and create depth.

  8. step 08

    Add final highlights and shadows to enhance the form.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · ultramarine blue · alizarin crimson · viridian

Skin tones can be achieved by mixing white, yellow ochre, burnt umber, and a touch of red. The dark clothing is primarily black with hints of blue and umber. The green fabric is a mix of blue, yellow, and black.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·value studies
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the figure.
  • →Muddy or unrealistic skin tones.
  • →Overworking the details before establishing the overall value structure.
  • →Ignoring subtle value changes, resulting in a flat or lifeless appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, ivory black, yellow ochre, burnt umber, ultramarine blue, alizarin crimson)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial value blocking.

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oil painting for beginners →how to learn by studying the masters →
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