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home·artworks·Portrait of a gentleman with a letter
Portrait of a gentleman with a letter by Jean II Restout

plate no. 6242

Portrait of a gentleman with a letter

Jean II Restout

oilRococoportraitportraitfigurewigclothinglettermale
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as practicing blending techniques to create smooth transitions in skin tones and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic proportions and pose of the figure.

  2. step 02

    Establish the background color with a thin wash of paint.

  3. step 03

    Block in the main shapes of the figure, including the wig, clothing, and facial features, using simplified color masses.

  4. step 04

    Develop the skin tones by layering and blending different shades of pink, yellow, and brown.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to values and highlights.

  6. step 06

    Refine the details of the wig, using small brushstrokes to create texture and volume.

  7. step 07

    Paint the clothing, focusing on the folds and drapery, and adding highlights and shadows to create depth.

  8. step 08

    Add final details, such as the letter and any other accessories.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · cadmium red light · viridian

Mix skin tones by combining white, yellow ochre, and a touch of red. Use raw umber and ivory black to create shadows and darker values. The wig is primarily white with touches of yellow ochre and raw umber to create highlights and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value control
  • ·rendering textures

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to create a sense of depth and volume in the wig and clothing.
  • →Using too much paint and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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