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home·artworks·Portrait of a gentleman
Portrait of a gentleman by Jacques Aved

plate no. 5781

Portrait of a gentleman

Jacques Aved

oilRococoportraitportraitfigureclothinghairframe
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric folds. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval frame and the figure's basic proportions on the canvas.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main shapes of the face, hair, and clothing with thin washes of color.

  4. step 04

    Begin layering the skin tones, focusing on the highlights and shadows to create form.

  5. step 05

    Develop the details of the hair, paying attention to the direction of the light.

  6. step 06

    Paint the clothing, using a variety of reds and browns to create depth and texture.

  7. step 07

    Add details to the frame, using gold and brown tones to simulate the ornate design.

  8. step 08

    Refine the details and adjust values as needed to create a cohesive and realistic portrait.

color palette

primary · titanium white · burnt sienna · ivory black

secondary · cadmium red · yellow ochre · ultramarine blue

Skin tones are achieved by mixing white, sienna, and small amounts of red, yellow, and blue. The red coat is a mix of cadmium red and burnt sienna, with shadows created by adding ivory black. The gold frame uses yellow ochre and burnt sienna, highlighted with white.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value study
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the face
  • →Over-blending of skin tones, resulting in a flat appearance
  • →Inaccurate color mixing for skin tones and clothing
  • →Ignoring subtle value changes that create form

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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