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home·artworks·Portrait of a Carthusian Monk
Portrait of a Carthusian Monk by Jean II Restout

plate no. 1103

Portrait of a Carthusian Monk

Jean II Restout, 1715

oilRococoportraitfigureportraitmonkbookrobetable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and depicting fabric folds. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background with a thin wash of color, paying attention to the subtle gradations of light and shadow.

  3. step 03

    Block in the main shapes of the figure and robe, using a limited palette of neutral colors.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and proportions.

  5. step 05

    Develop the folds and shadows in the robe, using a combination of blending and layering techniques.

  6. step 06

    Add details to the hands and books, paying attention to texture and form.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights to create a sense of depth.

  8. step 08

    Add final details and glazes to enhance the color and luminosity of the painting.

color palette

primary · titanium white · raw umber · ivory black · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. The robe is primarily white with subtle variations created by adding small amounts of umber and black. The blue table is created by mixing ultramarine blue, white and a touch of black.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy skin tones
  • →Lack of depth and atmosphere
  • →Poor rendering of fabric folds

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas is recommended for beginners.

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