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home·artworks·Portrait D'Ibrahim Pacha
Portrait D'Ibrahim Pacha by Charles-Philippe Lariviere

plate no. 0325

Portrait D'Ibrahim Pacha

Charles-Philippe Lariviere, 1846

oilAcademicismportraitportraitfigurelandscapeskyclothingarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures and details in clothing and accessories.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the figure and the background elements (Arc de Triomphe, trees).

  2. step 02

    Establish the main light and shadow areas on the figure's face, clothing, and background.

  3. step 03

    Block in the local colors of the skin, clothing, and background, focusing on accurate color mixing.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth, paying attention to subtle variations in value and color.

  5. step 05

    Add details to the clothing, including the embroidery, medals, and sash, using small brushes and precise strokes.

  6. step 06

    Render the background elements, such as the trees and sky, with soft, blended brushstrokes.

  7. step 07

    Paint the sword, paying attention to the highlights and shadows on the metal.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · yellow ochre · burnt sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · viridian

Mix various shades of skin tones using yellow ochre, burnt sienna, and white, with small amounts of red and blue for subtle variations. Achieve the gold color of the jacket by mixing yellow ochre with burnt sienna and a touch of white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering textures

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly harsh or flat lighting.
  • →Difficulty capturing the likeness of the subject.
  • →Poor color mixing resulting in unnatural skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt sienna, ivory black, titanium white, cadmium red, ultramarine blue, viridian)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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