apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait d'homme sur fond de paysage
Portrait d'homme sur fond de paysage by Joos van Cleve

plate no. 0714

Portrait d'homme sur fond de paysage

Joos van Cleve

oilNorthern Renaissanceportraitportraitmanbooklandscapehatfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also provide practice in creating depth through atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: the figure, hat, book, and background elements.

  2. step 02

    Block in the main colors of the background, starting with the sky and then the distant landscape, using thin washes.

  3. step 03

    Establish the basic skin tones of the face and hands, paying attention to the light and shadow areas.

  4. step 04

    Begin layering the dark clothing, building up depth and texture with subtle variations in tone.

  5. step 05

    Add details to the face, focusing on the eyes, nose, and mouth to capture the likeness.

  6. step 06

    Refine the details of the hands and book, paying attention to the folds and textures.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Glaze with thin layers to unify the painting and adjust colors as needed.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Use yellow ochre and cadmium red light for skin tones, and ultramarine blue to create atmospheric perspective in the background.

techniques

  • ·portraiture
  • ·glazing
  • ·atmospheric perspective
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, especially in the background.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley