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home·artworks·Portrait De Marie-Antoinette
Portrait De Marie-Antoinette by Joseph Duplessis

plate no. 0431

Portrait De Marie-Antoinette

Joseph Duplessis, 1779

oil, canvasRococoportraitportraitfiguredressbustdoginterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background with broad, blended strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure and dress, paying attention to the overall form and volume.

  4. step 04

    Begin to refine the details of the face, hair, and dress, using smaller brushes and more precise strokes.

  5. step 05

    Add highlights and shadows to create dimension and form, focusing on the light source.

  6. step 06

    Render the details of the lace, jewelry, and other embellishments, using fine brushes and careful observation.

  7. step 07

    Paint the bust and the dog, paying attention to their textures and forms.

  8. step 08

    Add final touches and adjustments to refine the overall composition and create a sense of unity.

color palette

primary · titanium white · ivory black · yellow ochre

secondary · ultramarine blue · burnt umber · cadmium red light

Achieve the muted greens and grays by mixing white, black, yellow ochre, and a touch of blue. Use burnt umber and cadmium red for the warmer tones in the background and details.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details, resulting in a stiff or unnatural appearance.
  • →Failing to create a sense of depth and atmosphere.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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