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home·artworks·Portrait de la comtesse de Sérent
Portrait de la comtesse de Sérent by Jean-Marc Nattier

plate no. 7806

Portrait de la comtesse de Sérent

Jean-Marc Nattier, 1754

oilRococoportraitportraitwomanmaskdressfanrococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and the delicate folds and textures of fabric. It also provides practice in capturing subtle lighting and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with thin washes of color, gradually building up depth and tone.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and pose.

  4. step 04

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Work on the dress, capturing the folds and textures with careful observation of light and shadow.

  6. step 06

    Paint the mask and fan, paying attention to their unique textures and details.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · ivory black · yellow ochre · raw umber

secondary · cadmium red light · ultramarine blue · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use black and white to create a range of grays for the mask. Mix white with a touch of blue and yellow for the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in light and shadow.
  • →Ignoring the details of the fabric and accessories.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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