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home·artworks·Plum Park in Kameido
Plum Park in Kameido by Utagawa Hiroshige

plate no. 9629

Plum Park in Kameido

Utagawa Hiroshige, 1857

woodblock printUkiyo-elandscapeplum treeblossomswaterfiguresbridgesky
experienced study

Students would develop skills in flat color application, gradated washes, and understanding the principles of Japanese composition with dramatic foreground framing and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
1
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition with the large plum tree trunk as the dominant foreground element

  2. step 02

    Block in the graduated sky wash from deep coral at top to pale cream at horizon

  3. step 03

    Paint the water areas with flat blue-gray tones and subtle gradations

  4. step 04

    Add the tree trunk and branches with bold dark shapes, keeping edges clean and graphic

  5. step 05

    Paint the plum blossoms as simple white circles with yellow centers

  6. step 06

    Add the small background figures and architectural elements with minimal detail

  7. step 07

    Include the scattered fallen petals on the water surface

  8. step 08

    Add final linear details and calligraphic elements

color palette

primary · alizarin crimson · prussian blue · burnt umber · titanium white

secondary · cadmium yellow light · raw umber · cerulean blue

Create the coral sky by mixing alizarin crimson with white and yellow, blend the water tones with prussian blue and white with hints of gray

techniques

  • ·flat color application
  • ·graduated washes
  • ·silhouette painting
  • ·negative space composition
  • ·atmospheric perspective

common pitfalls

  • →overworking the simple blossom shapes
  • →making the background too detailed and competing with foreground
  • →losing the dramatic contrast between dark tree and light sky
  • →adding unnecessary brushwork texture to flat areas

materials

surface · stretched canvas or illustration board

required

  • ·#12 flat brush
  • ·#6 flat brush
  • ·#2 round brush
  • ·alizarin crimson
  • ·prussian blue
  • ·burnt umber
  • ·titanium white
  • ·stretched canvas 16x20

optional

  • ·palette knife for mixing
  • ·spray bottle for keeping paint workable
  • ·masking tape

This style requires precise control and clean edges, so quality brushes that hold their shape are essential

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