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home·artworks·Pleasure
Pleasure by Eugene de Blaas

plate no. 9154

Pleasure

Eugene de Blaas, 1900

oil, panelAcademicismgenre paintingfigurelandscapearchitectureclothingfruitsky
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering fabric and skin tones, as well as creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and the placement of the architectural elements.

  2. step 02

    Establish the background landscape and sky using thin washes of color.

  3. step 03

    Block in the main shapes of the figure, paying attention to the folds and drapery of the clothing.

  4. step 04

    Develop the skin tones using layers of subtle color variations, focusing on light and shadow.

  5. step 05

    Refine the details of the clothing, adding patterns and textures.

  6. step 06

    Paint the fruit basket, paying attention to the colors and shapes of the individual fruits.

  7. step 07

    Add details to the architectural elements, such as the stone wall and balustrade.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the colors and values are balanced.

color palette

primary · titanium white · yellow ochre · burnt sienna · alizarin crimson

secondary · ultramarine blue · viridian · raw umber

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create atmospheric perspective in the background by adding blue to the greens and browns.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →overworking the skin tones
  • →flattening the drapery
  • →ignoring the subtle color variations
  • →poor proportions in the figure

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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