apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Plate and Fruit Dish
Plate and Fruit Dish by Georges Braque

plate no. 8788

Plate and Fruit Dish

Georges Braque, 1908

oil, canvasCubismstill lifestill lifefruitpearsgrapesdishviolin
some experience helpful

Recreating this painting will help students understand how to simplify forms into geometric shapes and use a limited palette to create a cohesive composition. It also encourages observation of subtle value changes within a narrow range.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the objects, focusing on their simplified forms.

  2. step 02

    Block in the main areas of color with thin washes, establishing the overall value structure.

  3. step 03

    Refine the shapes and edges of the objects, paying attention to the overlapping planes.

  4. step 04

    Add subtle variations in color and value to create depth and dimension.

  5. step 05

    Define the shadows and highlights to enhance the three-dimensionality of the forms.

  6. step 06

    Blend edges where necessary to create smooth transitions between planes.

  7. step 07

    Add final details and adjustments to refine the composition.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · sap green · burnt sienna

Achieve the muted tones by mixing ivory black and white, and adding small amounts of raw umber or yellow ochre to warm or cool the grays. Use sap green and burnt sienna to create the green grapes.

techniques

  • ·geometric simplification
  • ·limited palette
  • ·value study
  • ·blending
  • ·layering

common pitfalls

  • →Overcomplicating the shapes and forms.
  • →Using too many colors and losing the unity of the palette.
  • →Ignoring the subtle value changes.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Pre-mix a range of grays before starting to paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

The Aquarium

The Aquarium

Georges Braque

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek