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Plant architecture by Remedios Varo

plate no. 4747

Plant architecture

Remedios Varo, 1962

oilSurrealismsymbolic paintingarchitecturefigurestreescatarchesfantasy
experienced study

Recreating this painting will help students develop skills in rendering complex textures and understanding surrealist composition. It also encourages careful observation of light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to map out the composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Establish the basic values by blocking in the dark and light areas of the trees and arches.

  3. step 03

    Begin layering the textures of the tree bark using a combination of dry brushing and scumbling techniques.

  4. step 04

    Paint the figures, paying close attention to the folds of their clothing and the details of their faces.

  5. step 05

    Add the architectural details, such as the stairs and the bell, using precise brushstrokes.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and atmosphere.

  7. step 07

    Add the final details, such as the cat's eyes and the patterns on the clothing.

  8. step 08

    Glaze to unify the painting and adjust the colors as needed.

color palette

primary · raw umber · ivory black · titanium white

secondary · cadmium red · yellow ochre · burnt sienna

Achieve the muted tones by mixing the primary colors with small amounts of secondary colors. Use white to lighten the values and black to darken them.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·layering
  • ·value studies

common pitfalls

  • →Overworking the textures, resulting in a muddy appearance.
  • →Failing to establish a strong value structure, leading to a flat painting.
  • →Inaccurately rendering the perspective of the architectural elements.
  • →Ignoring the subtle color variations in the trees and figures.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Raw umber oil paint
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Cadmium red oil paint
  • ·Yellow ochre oil paint
  • ·Burnt sienna oil paint
  • ·Assorted round and flat brushes

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for the detailed textures.

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