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home·artworks·Pietro d'Abano
Pietro d'Abano by Justus van Gent

plate no. 1885

Pietro d'Abano

Justus van Gent, 1476

oilNorthern Renaissanceportraitportraitfigurebookrobehatinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabrics, and rendering realistic textures. It also provides practice in creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, book, and background.

  2. step 02

    Establish the main light source and map out areas of light and shadow.

  3. step 03

    Block in the main colors of the background, robe, hat, and book.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to subtle variations.

  5. step 05

    Refine the details of the face, hands, and book, adding highlights and shadows.

  6. step 06

    Work on the textures of the robe and hat, using small brushstrokes.

  7. step 07

    Add the inscription at the bottom of the painting.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and realistic image.

color palette

primary · red ochre · raw umber · titanium white · viridian

secondary · yellow ochre · ivory black · cadmium red light

Mix skin tones by blending red ochre, raw umber, and titanium white. Achieve the robe's color by mixing red ochre with a touch of ivory black and white. The green of the book is a blend of viridian, yellow ochre, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·color blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of light and shadow.
  • →Rushing the details and losing the overall effect.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: red ochre, raw umber, titanium white, viridian
  • ·Oil paints: yellow ochre, ivory black, cadmium red light
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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