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Picture with Cattle by Franz Marc

plate no. 5537

Picture with Cattle

Franz Marc, 1913

oil, canvasCubismanimal paintingcattleanimalsabstractshapeslandscapecubism
experienced study

Recreating this painting will help students understand how to break down complex forms into geometric shapes and use color to create depth and movement in an abstract composition. It also provides practice in layering colors and creating dynamic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition of the cattle and the surrounding landscape, focusing on geometric forms.

  2. step 02

    Block in the main color areas using thin washes of paint, paying attention to the color relationships and contrasts.

  3. step 03

    Start building up layers of color, adding more detail and definition to the shapes.

  4. step 04

    Use thicker paint and bolder brushstrokes to create texture and visual interest.

  5. step 05

    Pay attention to the edges of the shapes, softening some and sharpening others to create depth.

  6. step 06

    Mix colors directly on the canvas to create subtle variations and blends.

  7. step 07

    Add final details and highlights to emphasize the form and create a sense of movement.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to balance the colors and shapes.

color palette

primary · Prussian Blue · Cadmium Yellow · Alizarin Crimson · Titanium White

secondary · Viridian Green · Burnt Sienna · Ultramarine Blue

Mix greens by combining blues and yellows, and oranges by combining reds and yellows. Use white to lighten colors and create highlights. Darken colors with blues and browns.

techniques

  • ·Color layering
  • ·Geometric abstraction
  • ·Impasto
  • ·Broken color
  • ·Scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.
  • →Not simplifying the forms enough and getting bogged down in detail.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Prussian Blue, Cadmium Yellow, Alizarin Crimson, Titanium White, Viridian Green, Burnt Sienna, Ultramarine Blue)
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Painting medium

Use good quality oil paints for best results. A medium-tooth canvas will provide a good surface for the paint to adhere to.

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oil painting for beginners →how to learn by studying the masters →
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