apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Piazza del Carmine
Piazza del Carmine by Ottone Rosai

plate no. 4012

Piazza del Carmine

Ottone Rosai

oilCubismcityscapebuildingscityscapewalldoortreesky
some experience helpful

Recreating this painting will help students practice simplifying complex forms into basic shapes and using a limited color palette to create a cohesive atmosphere. It also provides practice in creating subtle value changes to suggest depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, wall, and tree, focusing on their relative sizes and positions.

  2. step 02

    Establish the horizon line and the perspective of the wall.

  3. step 03

    Block in the large areas of color: the sky, the wall, the ground, and the buildings, using thinned paint.

  4. step 04

    Begin adding darker values to define the shadows on the buildings and wall.

  5. step 05

    Mix and apply the various shades of green for the tree, using short, broken brushstrokes.

  6. step 06

    Add details to the door and the rooftops.

  7. step 07

    Refine the edges of the shapes and blend the colors to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth.

color palette

primary · raw umber · titanium white · payne's gray

secondary · yellow ochre · sap green · burnt sienna

Mix raw umber and white for the walls and buildings, adding small amounts of yellow ochre for warmth. Use payne's gray and white for the sky and ground, and mix greens from sap green, yellow ochre, and raw umber.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the simplicity of the shapes.
  • →Using too much color and creating a jarring effect.
  • →Failing to create a sense of depth through value changes.
  • →Not simplifying the complex forms of the buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Thin the oil paints with linseed oil for smoother blending and glazing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Ritratto di ragazzo (Ritratto di Donnini)

Ritratto di ragazzo (Ritratto di Donnini)

Ottone Rosai

Postava

Postava

Josef Capek