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home·artworks·Phoebe
Phoebe by Frederic Leighton

plate no. 1993

Phoebe

Frederic Leighton

oil, canvasAcademicismportraitportraitwomanhatdressfigurered
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones, as well as understanding drapery and fabric folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and drapery using light pencil lines.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle shifts in color and value.

  4. step 04

    Develop the details of the hat, including the texture of the feathers and the folds of the fabric.

  5. step 05

    Work on the drapery, focusing on the way the fabric drapes and folds around the figure.

  6. step 06

    Add the details of the red cushion, including the texture and the highlights.

  7. step 07

    Refine the background, ensuring it complements the figure without being distracting.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · burnt umber · cadmium red · ivory black

secondary · yellow ochre · raw sienna

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Use ivory black and burnt umber to create the darks in the hat and drapery. Mix cadmium red with burnt umber and a touch of black for the red cushion.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·drapery study
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the texture of the hat and drapery.
  • →Creating a background that is too distracting.
  • →Not paying attention to the way the light falls on the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to establish the value structure.

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oil painting for beginners →how to learn by studying the masters →
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