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home·artworks·Phases of the Moon III
Phases of the Moon III by Paul Delvaux

plate no. 8546

Phases of the Moon III

Paul Delvaux, 1942

oil, canvasSurrealismgenre paintingfiguresarchitecturenight skymoonlandscapeobservatory
experienced study

Recreating this painting will help students develop skills in rendering figures in a surreal setting and understanding atmospheric perspective in a night scene. It also provides practice in creating realistic textures for stone and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figures, buildings, and horizon line.

  2. step 02

    Block in the large areas of color, focusing on the dark blues and grays of the night sky and the lighter tones of the buildings.

  3. step 03

    Develop the values and details of the figures, paying attention to the subtle gradations of light and shadow.

  4. step 04

    Add details to the architecture, including the brickwork, windows, and sundial.

  5. step 05

    Paint the background landscape, using atmospheric perspective to create depth.

  6. step 06

    Refine the details of the moon and stars in the night sky.

  7. step 07

    Add final highlights and shadows to enhance the realism of the painting.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · ultramarine blue · ivory black · titanium white · raw umber

secondary · yellow ochre · burnt sienna · payne's gray

Mix various shades of gray by combining black and white with small amounts of umber or sienna. Achieve the deep blues of the night sky by mixing ultramarine blue with black. Use yellow ochre and white to create the pale light of the moon.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering textures

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a convincing sense of depth.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface is recommended for detailed work.

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