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home·artworks·Phases of the Moon II
Phases of the Moon II by Paul Delvaux

plate no. 8395

Phases of the Moon II

Paul Delvaux, 1941

oil, canvasSurrealismgenre paintingfiguresmooninteriorlandscapedoorwayskulls
experienced study

Recreating this painting will help students understand atmospheric perspective and how to create a sense of depth using value and color. It also provides practice in rendering figures in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the doorway.

  2. step 02

    Establish the dark background tones using a mix of dark browns and blues.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions.

  4. step 04

    Begin to build up the highlights on the figures, using lighter tones of browns and creams.

  5. step 05

    Paint the moonlit landscape visible through the doorway, focusing on creating a sense of distance.

  6. step 06

    Add details to the figures, such as facial features and clothing folds.

  7. step 07

    Refine the lighting and shadows throughout the painting, creating a sense of atmosphere.

  8. step 08

    Add final details, such as the skulls on the shelf and the texture of the floorboards.

color palette

primary · ivory black · raw umber · burnt umber

secondary · yellow ochre · titanium white · ultramarine blue

Mix ivory black with raw umber and a touch of ultramarine to create the deep shadows. Use yellow ochre and titanium white to create the highlights, and add small amounts of burnt umber for warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Making the shadows too flat and lacking depth.
  • →Failing to create a convincing sense of atmosphere.
  • →Overworking the details and losing the overall sense of unity.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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