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home·artworks·Petite fille en robe rouge
Petite fille en robe rouge by Jean Benner

plate no. 3216

Petite fille en robe rouge

Jean Benner

oilAcademicismportraitportraitfiguregirlhairdresslace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and soft blending techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the girl, paying attention to the placement of facial features.

  2. step 02

    Establish the background with a dark, muted color, blending it smoothly.

  3. step 03

    Block in the main areas of color: skin, hair, dress, and collar.

  4. step 04

    Begin refining the skin tones, using layers of thin paint and soft blending to create smooth transitions.

  5. step 05

    Develop the hair, using a variety of brushstrokes to suggest texture and volume.

  6. step 06

    Add details to the dress and collar, paying attention to the folds and highlights.

  7. step 07

    Refine the facial features, focusing on capturing the likeness and expression.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. The dress is primarily red with umber and black added for shadows. The background is a mix of black, blue, and umber.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the likeness of the subject.
  • →Using too much paint and losing detail.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paint and improve blending.

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