apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peter's Betrayal
Peter's Betrayal by Carl Bloch

plate no. 6068

Peter's Betrayal

Carl Bloch

canvas, oilAcademicismreligious paintingfiguresarchitecturefirereligious scenecolumnsrooster
experienced study

Recreating this painting will help students develop skills in rendering figures in complex lighting and creating atmospheric perspective. It also provides practice in depicting textures of clothing and stone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses for the figures, architecture, and background.

  4. step 04

    Begin refining the figures, focusing on accurate skin tones and drapery folds.

  5. step 05

    Develop the architectural details, paying attention to light and shadow to create depth.

  6. step 06

    Add the fire and its reflected light on the surrounding figures and ground.

  7. step 07

    Introduce the roosters, carefully observing their anatomy and plumage.

  8. step 08

    Add final details and highlights to enhance the realism and drama of the scene.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · raw sienna · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Create atmospheric perspective by adding blue and white to distant colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Inaccurate proportions of figures.
  • →Overworking details too early in the process.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inconsistent lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, titanium white, cadmium red, ultramarine blue, yellow ochre, raw sienna, ivory black)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to establish a mid-tone value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus