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home·artworks·Peter II Duke of Bourbon presented by St. Peter, left hand wing of a triptych
Peter II Duke of Bourbon presented by St. Peter, left hand wing of a triptych by Jean Hey

plate no. 7671

Peter II Duke of Bourbon presented by St. Peter, left hand wing of a triptych

Jean Hey, 1498

oil, panelNorthern Renaissancereligious paintingfigureslandscapearchitecturekeysrobesreligious
experienced study

Recreating this painting will help students develop skills in portraiture, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations for skin tones and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Prepare the panel with gesso and let it dry completely.

  2. step 02

    Create a light sketch outlining the main figures, architectural elements, and landscape.

  3. step 03

    Block in the main color areas for the background landscape, focusing on atmospheric perspective.

  4. step 04

    Begin layering the skin tones, starting with a base color and gradually adding highlights and shadows.

  5. step 05

    Work on the drapery, paying attention to the folds and how light interacts with the fabric.

  6. step 06

    Paint the architectural details, ensuring accurate perspective and proportions.

  7. step 07

    Add details such as the keys, jewelry, and facial features.

  8. step 08

    Apply a thin layer of varnish to protect the painting and enhance the colors.

color palette

primary · red ochre · ultramarine blue · titanium white · yellow ochre

secondary · viridian green · burnt umber · ivory black

Achieve skin tones by mixing red ochre, yellow ochre, and titanium white, adjusting proportions for highlights and shadows. Create the green drapery by mixing viridian green with yellow ochre and a touch of ultramarine blue. Use burnt umber and ivory black for dark areas and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle variations in skin tones.
  • →Failing to create a sense of depth in the landscape.
  • →Getting the proportions of the figures wrong.

materials

surface · wood panel

required

  • ·Oil paints (red ochre, ultramarine blue, titanium white, yellow ochre, viridian green, burnt umber, ivory black)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette
  • ·Assorted brushes (small round, medium flat)
  • ·Panel (12x16 inches)
  • ·Gesso
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Prepare the panel with several layers of gesso, sanding lightly between coats.

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