apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peter Beckford
Peter Beckford by Benjamin West

plate no. 9409

Peter Beckford

Benjamin West, 1797

oil, canvasRococoportraitportraitfiguremapclothingdraperybooks
experienced study

Recreating this painting would help students develop skills in portraiture, including rendering realistic skin tones and drapery folds. It also provides practice in depicting textures and creating a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and the main elements of the composition.

  2. step 02

    Establish the background with broad strokes, focusing on the drapery and architectural details.

  3. step 03

    Block in the basic shapes and values of the figure, paying attention to proportions.

  4. step 04

    Start building up the skin tones using layers of thin paint, gradually adding highlights and shadows.

  5. step 05

    Define the clothing and drapery, focusing on the folds and textures.

  6. step 06

    Add details to the face, hands, and map, refining the features and adding subtle variations in color.

  7. step 07

    Work on the background elements, such as the books and quill, adding details and textures.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · yellow ochre · burnt umber · titanium white · alizarin crimson

secondary · viridian green · ivory black · cadmium yellow

Achieve skin tones by mixing yellow ochre, burnt umber, alizarin crimson, and titanium white. Use viridian green and ivory black to create the dark greens of the clothing. Mix cadmium yellow with white for highlights on the gold fabric.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figure
  • →Overblending the skin tones
  • →Ignoring the subtle variations in color
  • →Failing to create a sense of depth
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West