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home·artworks·Performance of Iphigenia in Tauris
Performance of Iphigenia in Tauris by Wilhelm von Kaulbach

plate no. 3048

Performance of Iphigenia in Tauris

Wilhelm von Kaulbach

oilRomanticismillustrationfiguresarchitecturetreesperformancegardenclothing
experienced study

Recreating this painting will develop skills in rendering complex figures and drapery with a limited palette, as well as creating depth through careful value control. Students will also learn to manage a busy composition and create a focal point.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to the placement of figures and architectural elements.

  2. step 02

    Establish the darkest and lightest values to create a strong foundation for the painting.

  3. step 03

    Begin filling in the mid-tones, focusing on the shapes of the figures and their clothing.

  4. step 04

    Develop the details of the faces and hands, using subtle variations in value to create form.

  5. step 05

    Add the architectural details, paying attention to the perspective and the play of light and shadow.

  6. step 06

    Render the foliage and background elements, using a variety of textures to create depth.

  7. step 07

    Refine the values and details throughout the painting, ensuring that the focal point remains the most visually interesting area.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Use varying ratios of black and white to create a full range of grays. Add small amounts of raw umber or payne's gray to warm or cool the grays as needed.

techniques

  • ·grisaille
  • ·hatching
  • ·cross-hatching
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Getting bogged down in details before establishing the overall composition.
  • →Creating a flat, lifeless painting by not varying the values enough.
  • →Losing the focal point by adding too much detail to the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·charcoal pencils

A smooth canvas surface will be ideal for achieving the fine details in this painting. Consider using a toned canvas to speed up the process.

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