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home·artworks·Pauline-Felicite de Nesle (1712-41), Countess of Vintimille
Pauline-Felicite de Nesle (1712-41), Countess of Vintimille by Jacques Aved

plate no. 4704

Pauline-Felicite de Nesle (1712-41), Countess of Vintimille

Jacques Aved

oilRococoportraitportraitwomanfeatherhairclothingrococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It will also provide practice in depicting textures like fur and feathers.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval frame and the basic proportions of the figure.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in value and hue.

  4. step 04

    Add details to the hair and headdress, focusing on the highlights and shadows.

  5. step 05

    Work on the clothing and fur, building up layers of color and texture.

  6. step 06

    Refine the background, ensuring it complements the figure.

  7. step 07

    Add the final details, such as the eyes, lips, and any jewelry.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · raw umber · cadmium red light · ivory black

secondary · yellow ochre · ultramarine blue · viridian

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine and white for the cool tones in the hair. Mix black and umber for the dark fur.

techniques

  • ·portrait painting
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fur texture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring subtle shifts in value and hue.
  • →Getting lost in details too early.
  • →Not establishing a clear focal point.

materials

surface · stretched oval canvas

required

  • ·Stretched oval canvas
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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