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home·artworks·Patience and the Passing of Time
Patience and the Passing of Time by Kit Williams

plate no. 8433

Patience and the Passing of Time

Kit Williams, 1979

oilSurrealismillustrationportraitwomancardsinteriortablefurniture
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and creating depth through layering and subtle color variations. It also offers practice in painting intricate details and textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions, paying close attention to the perspective of the room and the placement of the figure.

  2. step 02

    Block in the main shapes and colors, starting with the background and working your way forward.

  3. step 03

    Focus on the skin tones of the woman, using a limited palette to create subtle variations in color and value.

  4. step 04

    Add details to the clothing, hair, and jewelry, paying attention to the textures and patterns.

  5. step 05

    Carefully render the playing cards, ensuring that the details are accurate and legible.

  6. step 06

    Refine the background details, including the furniture, decorations, and lighting.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Review the entire painting and make any necessary adjustments to ensure that the composition is balanced and harmonious.

color palette

primary · titanium white · raw umber · yellow ochre · cadmium red light

secondary · viridian · ultramarine blue · burnt sienna

Mix skin tones using titanium white, raw umber, yellow ochre, and a touch of cadmium red light. Use viridian and ultramarine blue to create the green tones for the cardigan and playing table. Burnt sienna can be used to create the wood tones.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·color mixing
  • ·rendering textures

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle details of the clothing and jewelry.
  • →Ignoring the perspective of the room and creating a flat, unrealistic composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use high-quality paints and brushes for best results. Consider using a medium to slow the drying time of the paints and allow for more blending.

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oil painting for beginners →how to learn by studying the masters →
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