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home·artworks·Paseo a la ciudad
Paseo a la ciudad by Joan Miro

plate no. 8109

Paseo a la ciudad

Joan Miro, 1917

oilCubismcityscapebuildingslandscapeskyhillspathcityscape
some experience helpful

Recreating this painting will help students understand color blocking and simplified forms to create a landscape. It also encourages experimentation with expressive brushstrokes and non-realistic color choices.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, hills, and path, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a base layer of muted green and gray.

  3. step 03

    Apply base colors to the buildings, using yellows, oranges, and browns.

  4. step 04

    Paint the path with varying shades of yellow, tan, and green, creating a sense of depth.

  5. step 05

    Add darker outlines to define the shapes and create contrast.

  6. step 06

    Introduce secondary colors like blues and pinks in small areas to add visual interest.

  7. step 07

    Refine the brushstrokes to enhance the texture and expressive quality of the painting.

  8. step 08

    Add final details, such as the dark lines in the foreground, to complete the composition.

color palette

primary · yellow ochre · raw umber · titanium white · sap green

secondary · ultramarine blue · cadmium orange · rose madder

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of white. Create variations in the yellows and browns by adding small amounts of orange, green, or blue.

techniques

  • ·color blocking
  • ·expressive brushstrokes
  • ·simplified forms
  • ·scumbling
  • ·layering

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Making the outlines too uniform and losing the expressive quality.
  • →Failing to simplify the forms and including too much detail.
  • →Not varying the brushstrokes enough, leading to a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushstroke visibility. Acrylic paints are a good option for beginners due to their fast drying time.

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oil painting for beginners →how to learn by studying the masters →
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